assert him- or herself as a remarkable and rarefied being, one leading the search for beauty in an age marked by shameful class inequality, social hypocrisy, and bourgeois complacency. But since the decadent book that Lord Henry lends Dorian facilitates Dorians downfall, it is difficult to accept what Lord Henry says as true. Wildes parents were successful Dublin intellectuals and when he was young he was tutored at home, where he became fluent in French and German. Lord Henry thus has little notion of the practical effects of his philosophy. What ironic is that Dorian conflates criminal and aesthete. Takes place in London, England during the 1890s. Because he does not change while Dorian and Basil clearly do, his philosophy seems amusing and enticing in the first half of the book, but improbable and shallow in the second. The prosperity in the Victoria era began to decline in the late 19th century.
He is a perfect reflection of Wildes witticism: all that I desire to point out is the general principle that life imitates art far more than art imitate life. Though he later changes his mind to believe that art is always more abstract than one thinks and that the painting thus betrays nothing except form and color, his emotional investment in Dorian remains constant.
Once any given thing stops being fun, he's not interested anymore. Another salient theme is class and social differentiation. Acknowledged as the spokesman of the philosophy of aestheticism, Wildes doctrine was Art for arts sake. I amused myself with being a flaneur, a dandy; a man of fashion. I think that is because Basil Hollward is a complete artist. Dorian arrives later and meets Wotton. Different from other writers, he belongs dissertation chapter 2 components to the upper-class instead of the impoverished known for his biting wit, flamboyant dress and glittering conversations. These three main characters in the story are the spirit of the story. I ceased to be lord over myself.